Monday, 2 May 2016

Horror analysis


The main image on the poster is of a young girl looking into a mirror; it is significant that the victim is a female, due to women being commonly viewed as the weaker victims in horror films. The fact that she is wearing minimal, clothing would suggest that she is vulnerable. The clothing is also white, which has connotations of purity and innocence. The image is shot in a bathroom, another conventional aspect of a horror film. The dark lighting, setting and the costume of the young girl all suggests that it is night time- a typical time of day for sinister activity to occur.

The young boy is making direct eye contact with the audience, immediately making you feel on edge, due to him looking so creepy. It also, for me in particular, plays upon the fear of walking into your own bathroom at night with the worry of looking into the mirror in fear of seeing a figure.  This makes it something that the audience can relate to, which intensifies the fear factor of the poster. He has a very pale white face, suggesting he is ghostly and dangerous. The fact that he is a young child adds to the conventionality of the film; young children are commonly used in horror films as they are easily portrayed as eerie.


The poster has a blue theme which represents the coldness of the room and unpleasant atmosphere. It contracts nicely with the reoccurring white theme, representing the woman’s innocence, the young boy’s eeriness and the coldness of the bathroom. The outside of the poster is a darker colour, which is a conventional aspect of horror posters; it creates an uneasy feeling of ‘What else is out there?’ for the audience. There is also a great deal of shadowing over the girl, giving the impression that she isn’t the only one in the room. This again just reinforces the fear of the unknown into the audience.

The text in the left hand corner “Evil will do anything to live” is ironic as it contrasts the idea of death and horror with the word ‘live’.  This phrase gives the audience an insight into the films storyline, suggesting that something evil will try to take the life of something innocent. The phrase is also placed next to the boy’s head, indicating that he is the ‘Evil’ that is being referred to. There are white scratch marks around the wall, near the text, which act as genre signifiers. It is common to see scratch marks up a bathroom wall in horror film, usually being left by some sort of ghostly creature.

The movie title ‘The Unborn’ has a bright white outer glow. The white light has connotations of heaven and passing life, suggesting that some sort of death may be involved in the film.  The main character has a glow around the front of her too, indicating that she may be the one who dies.




Both film posters carry the colour scheme of black and white, which is a conventional aspect of horror posters. The black backgrounds resemble the darkness and fear of the movie, and reinforce the fear of the unknown into the audience. The colour black has conventions of death, which acts as a genre signifier, allowing the audience to recognise that the genre is horror. Both posters also have bright white central lighting; the second poster has the same smoky/misty effect that we saw in the first poster I previously analysed. It is a conventional aspect of horror posters and could symbolise the presence of ghosts and demons. The third poster contains a bold bright light coming from a window which creates suspicion, suggesting that something isn’t quite right. Again, this white lighting can link to the presence of spirits/ghostly figures. It also presents an opportunity to feature a shadowing figure, which acts as a narrative enigma, as we are not sure why he is there.

The main image on the second poster is a medium close up of a woman. Having the shot as a medium close up allows us to see emotion, helping us to understand a bit more about her intentions/ the genre of the film. The woman has a very pale complexion, immediately signifying that she is demonic; she also has faint ghostly figures emerging from her body, again suggesting that she has been taken over by something evil. The figures that are emerging from her body have wide mouths, as though they are screaming, which almost allows the audience to hear the screams, suggesting to them that it isn’t going to be a pleasant film. The woman has deep bags under her eyes and various dark marks on her skin which makes her look scarier, fitting into the horror genre. Her clothes look old and worn in slightly, which is conventional look for possessed character’s in horror films. She is making direct eye contact with the audience, which pulls them in and sparks an interest; it also produces an element of fear, especially as her eyes are white and lifeless, suggesting she is an evil character. The difference of height in her shoulders suggest that she is stiff and uncomfortable, which resembles the conventional body state of someone in a horror film that has been possessed; this, to a certain extent, makes the audience feel uncomfortable, as it suggests that she is a character to fear. There are a number of white blurry lines going through the main image which resemble the interference lines on a TV when there is poor signal. As the lines are focused around the ghostly figures in the background, it could suggest that they interfere with the woman/ real life.

The third poster has a scenic main image of a house and a dark mysterious figure; the darkness that surrounds the street immediately makes the audience think that there is going to be some kind of crime/ strange happenings. The image is particularly scary as the audience is able to relate to it to a certain extent: most people will live in a house and therefore would be familiar with this sort of setting. We the begin to link ideas together such as “what if this was my house?”, which makes the audience feel vulnerable and allows the horror concept to be much scarier. The bright light in this image again is a slight narrative enigma as we are unsure of why it is there. The fact that all of the other windows are lit normally, however, one window beams out onto the street, suggests that something sinister is happening in the room. The light beam is directed at the figure, which reinforces the idea that he is dangerous. The white light that can be seen on all 3 posters, again has connotations of heaven/ ghosts, suggesting that perhaps a death is going to be involved in the storyline. This poster contains genre signifiers such as: white mist and shadowing, similar to the other two posters. 

The main title on all posters are simple and located at the bottom of the page, allowing them to not stand out too much. This is conventional of a horror poster as it allows the main image, which a what draws the audience in and contains most of the genre signifier, to stand out. Poster 2 has a white title, which has connotations of the afterlife, whilst poster 3 is in purple, which may be linked to horror as it is conventionally associated with witches and gruesome things. The title ‘The exorcist’ is one of the biggest indicators of genre, as most people know what an exorcism is; from this, the audience are able to know that this is going to be a horror film. ‘The Atticus Institute’ on the other hand, doesn’t give too much away about the genre, and therefore has a short description of the film “The only case of demonic possession recognised by the U.S government”. This small description allows the audience to understand much more about the film as the words ‘demonic possession’ link clearly to the horror genre. The noun “government” also makes the film sound more official and certified, enabling people to actually believe that it is a true story, which again makes it that extra bit scarier. The text of this description is in a very formal font, again making it look that bit more certified. On poster 2, it features a small piece of text which lets the audience know that it was from the makers of the conjuring: this will entice a larger amount of people into watching the film, as the conjuring is an established horror film, that proved to be popular. Poster 3 also has text that draws the audience in such as: “The scariest movie of all time” and “A version you’ve never seen”. This is simply anchor text and contains buzz words that persuade the audience into watching the film. The phrase ‘A version you’ve never seen’ is underlined, which just reinforces the message of “Go and watch our film”.  It is common to have short phrases that particularly aim at enticing the audience, seeing as the main goal is to produce as much money as possible at the box office.  

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